Nemashim Arab-Jewish Theater Community

 

 

NEMASHIM workshop 2007-2008

 

Third meeting January 11th-12th

 

Uri Shani. Translation, once again (thousand thanks!!!): Mia Tamarin

 

 

 

 

In short: it was cold!

 

The night between Friday and Saturday was most definitely one of the coldest nights of the 21st century so far in the land of Israel and Palestine.

Present: Muna, Miar, Shani, Gal, Dana, Yonni and Biki. Tali went to a weekend in kibbutz Samar for an application process because she doesn’t know if there is going to be a commune and if she would be in it, therefore she must reserve herself an additional spot. In the mean time Jonathan and Yuval decided in the last moment, about two days before the meeting, to quit the workshop, which is extremely irresponsible.

 

Friday

Making plaster masks

We were in a bit of a rush because in Ness Amim dinner is served early.

 

Dialogues from the Hebrew and Arab drama

The dialogue which made the most discussion around it was the one of Mona and Miar from “Rape” by Sa’ad Allah Wannous, a Syrian playwright. The play was written in 1989 and it’s about the First Intifada (uprising). In the play Dalal decides to join the armed struggle against Israel after she was raped by Shabak (GSS) people. Even though the Hebrew-speaking audience didn’t fully understand it (the dialogue that was given in Arabic) however they accurately reacted in a very awaken and involved way.

 

http://www.youtube.com/watch?v=qa5vXPe02SA

 

Saturday

Only Gal, Yonni and myself arrived at the breakfast. We three got up shaking from the cold and ran to the hot showers to warm up a bit. It was horrible!

However the warm-up was nice:

 

Continuing work on the dialogues

In the second round we had more improvisations based on the prepared scenes. This was mostly easy with the two scenes from “The Palestinian” by J. Sobol since it is a play in which actors talk about how to make a movie. A video example (for those who understand Hebrew): Samira is trying to convince Fahd the importance of making the movie

 

Drawing all together:

 

In the discussion on the drawing Mona explained why she didn’t fill the Palestinian flag with colors: There is only red color in the flag because it is the blood that was spilt. In addition, Palestine is pale; it doesn’t have color because she doesn’t have strength. It was conquered by Israel. She was not referring only to the ’67 occupation but to the Nakba (the catastrophe of 1948) too.

Video

 

Work with a white mask

 

 

 

This way of acting with a white mask takes the students to universal, mythical and essential places. Places of life and death, nature, earth, air, Fire and water. This is a very physical work and not literal at all.

 

Video

 

Painting the mask

Not everyone has the same artistic skills in shaping the mask, but overall they all turned out very pretty.

 

 

Conclusion and evaluation

 

In the grading given by the participants the very low grading for the meals stood out. The highest grade was given to the making and the painting of the masks.

Oral conclusion:

Dana: I disappointed myself with my acting.

Biki: The game with the white mask relaxes and frees me, I feel that I am in “my own element”.

Gal: I felt much better, a lot thanks to Shani who worked with me on the dialogue. Congratulations to Shani.

Shani: I am learning and developing; both from the good and the bad criticism.

 

Most of the time was spent on a long discussion which was a result of the (pale) Palestinian flag mona painted in the common painting. Mona said that for her the ideal situation would be a Palestinian country without Jews, something that of course shocked and disappointed some of the others. Dana said that she could never live under Palestinian power and the discussion heated up: what is “an ideal situation”? why Mona can live under Israeli power and Dana cannot live under Palestinian power? And so on.

As a result we finished later than usual.

 

More pictures

 

 

Up to now I wrote no single word about money. It is still a heavy problem. We continue somehow, but the constant fear of closing the project does nothing good to us. We could do more and be better, that is clear, even if we had only a little more clearance. Unfortunately we received too little money from our donation calls in the last months, and we hope, it will be more in the future.

 

 

 

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